The question is: Were the Saw movies actually good enough to merit bringing this beast back out of retirement? The answer: … Sort of! Like the sin hunters of the ’80s, the franchise’s diabolical Jigsaw (a.k.a. Things have gotten quieter lately on the graphic suffering front, but the eighth entry in the Saw franchise arrives this weekend after a seven-year dormant period for the franchise, hoping to rekindle your interest in torture tourism. torture wave The Collector Hostel (and most of Eli Roth’s filmography) anything from Rob Zombie and The Human Centipede. The subgenre thrived in the aughts, with a slew of like-minded efforts like 2004’s Saw, which kicked off the mainstream U.S. Unlike the slasher movies of the 1980s or the exploitation horror films of the 1970s, the modern wave of torture films (or, as New York’s David Edelstein dubbed it, “ torture porn”) has been marked by highly stylized violence with landscapes designed for and devoted to pure punishment.
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